In collaboration with the Director and Cinematographer, I edited this 10-minute short film at a slower pace. The film emphasised drawn-out moments, natural shakiness and vast beautiful landscapes, presenting that natural Aussie feel. This led to fewer cuts overall. The editing approach required subtle transitions between environmental shots and close-ups to allow the audience to take in the scenery as the characters did, showcasing KID and BOY’s direction and their interaction with the world.

This short film was highly detail-oriented, utilising subtle movements to show key props and characters’ emotions with special attention to the close-ups that revealed micro-expressions.

I didn’t use any VFX and special transitions, as the film focused purely on storytelling and fine detail. One of the most important factors I gave particular attention to was ensuring continuity and reinforcing the narrative flow in between cuts.

The edit kept a consistent pace that we are first introduced to in the establishing scene. I implemented L cuts, J cuts, and well-placed cutaways to maintain a rhythm that invites the viewer to immerse themselves in the quiet, contemplative atmosphere of the film’s world. This style was supported with the sound design and music that provided a sense of movement and immersion to maintain pacing.